SENSOR TYPE     GEMINI 15.4 Megapixel Dual Sensitivity CMOS

EFFECTIVE PIXELS    5120 × 3000

SENSOR SIZE     30.72 mm x 18.0 mm (Diagonal: 35.61 mm)

DYNAMIC RANGE    6.5+ stops

MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

MAX DATA RATES    

Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

PLAYBACK FRAME RATES(PROJECT TIMEBASE)    

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1    

3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS

5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES    

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS    

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION    Aluminum Alloy

WEIGHT    3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE    0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE    –20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY    0% to 85% non-condensing

COLOR MANAGEMENT    

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIO    

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL    

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS    

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS    

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS    

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY    

Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro